apologise, but, opinion, you are not right..

Category: Blues Rock

Welcome To The Occupation - R.E.M. - Document (Vinyl, LP, Album)

by Makasa -

8 thoughts on “ Welcome To The Occupation - R.E.M. - Document (Vinyl, LP, Album)

  1. R.E.M. go big. The jump between Lifes Rich Pageant and Document is the largest so far between albums: far from the enthusiastic ramshackle riot of Pageant, Document is super-slick and booming like an American answer to what U2 were doing in the 80s. The production is sharp and gives even the smallest of songs a stadium-like feel, ready to be played for huge crowds.
  2. View credits, reviews, tracks and shop for the Vinyl release of Document on Discogs. Label: I.R.S. Records - IRS • Format: Vinyl LP, Album • Country: US • Genre: Rock • Style: Alternative Rock/5(7).
  3. R.E.M.'s release, Monster, was a return to a more rock-oriented sound. The band began its first tour in six years to support the album; the tour was marred by medical emergencies suffered by three band members. In , R.E.M. re-signed with Warner Bros. for a reported US $80 million, at the time the most expensive recording contract in.
  4. Document, an Album by R.E.M.. Released 31 August on I.R.S. (catalog no. IRS; Vinyl LP). Genres: Alternative Rock, Jangle Pop.
  5. Apr 20,  · From the album "Document" Lyrics Hang your collar up inside Hang your dollar on me Listen to the water still Listen to the causeway You are mad and educated Primitive and wild Welcome .
  6. It's remastered, and it's a great CD. This is one of R.E.M.'s best albums by far. All the songs are fantastic. I really enjoyed it. And the cool thing about this CD, is that it looks like a Mini-LP [complete with a inner sleeve to keep the CD in] I recommend this CD for all R.E.M. fans/5().
  7. R.E.M. began to move toward mainstream record production on Lifes Rich Pageant, but they didn't have a commercial breakthrough until the following year's tankperlrisamchaihapachalfrodebpocah.coinfoally, Document is a stranger, more varied album than its predecessor, but co-producer Scott Litt-- who would go on to produce every R.E.M. album in the following decade -- is a better conduit for the band than Don Gehman.

Leave a Reply

Your email address will not be published. Required fields are marked *